Considered to be an artwork with the play “Mannen Dōjōji” performed at the Ichimura-za Theatre in the new Year of Genroku 1 (1702) as subject. Nakamura Denkurō, with his speciality of aragoto fighting scenes, played the successful role of Asahina for the 13th time. According to the hyōbanki critique Edo-zakura, Denkurō performed the aragoto of breaking the gate of the residence of Kagekiyo, played by highly-acclaimed jitsuaku villain role-player Yamanaka Heikurō. The figures of Asahina shaking the gate, and Kagekiyo glaring down from above, it is reminiscent of the dynamic performance of the actors despite the smalless of the hosoban narrow format paper. Although unsigned, it can be assumed from the date of performance and artistic style to be by Torii Kiyonobu I.